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「モルフィ公爵夫人」の対照的イメージ
http://hdl.handle.net/10091/4232
http://hdl.handle.net/10091/423294166088-5f3f-4f0b-a983-42cf921ff59d
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
Liberal_arts_H04-07.pdf (814.5 kB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||||
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| 公開日 | 2010-02-12 | |||||||
| タイトル | ||||||||
| タイトル | 「モルフィ公爵夫人」の対照的イメージ | |||||||
| タイトル | ||||||||
| タイトル | The Contrasted Images in The Duchess of Malfi | |||||||
| 言語 | ||||||||
| 言語 | jpn | |||||||
| 資源タイプ | ||||||||
| 資源 | http://purl.org/coar/resource_type/c_6501 | |||||||
| タイプ | departmental bulletin paper | |||||||
| 著者 |
北川, 重男
× 北川, 重男
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| 出版者 | ||||||||
| 出版者 | 信州大学教養部 | |||||||
| 引用 | ||||||||
| 内容記述 | 信州大学教養部紀要. 第一部, 人文科学 4: 127-147(1970) | |||||||
| 書誌情報 |
信州大学教養部紀要. 第一部, 人文科学 巻 4, p. 127-147, 発行日 1970-01-31 |
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| 抄録 | ||||||||
| 内容記述 | In The Duchess of Malfi John Webster intends to throw light on the chaos of the world and the gradual inward corruption. His style is characterized by the special use of many figures of speech, but at the same time he makes effort to achieve more logical way of expression. How will the situation produced by some singular characters in the play become comlicated? How does the ambiguities or double entendres begin to present contrasts to each other and be expressed as the powerful artistic style? To consider and grasp clearly the significance of those particular use of images and its contrasted meanings is to recognize his central feature which the play makes impression on us. The contrasted images in The Duchess of Malfi contain a multiplicity of meanings and conflicts, which lay particular stress on the chaos of the world. But the contrast in them is clearly recognizable. For instance the image of "darkness" contrasts with that of "brightness" in Antonio, Ambition, madam, ia a great man's madness, That is not kept in chains, and close-pent rooms, But in fair lightsome lodgings. (I. i. 420-422) If it is locked up in a room, ambition is free from danger and fear. Ambition is a madness for a person of high rank, so that, if it is thrown open to him, it will soar high into the air and hold no more the passion in check. Passion will inflame other evil passions. Antonio's fear is presented here by the impressive images of "close-pent rooms" and "fair lightsome lodgings." Antonio's fear is also stated as this, but he's a fool That, being a-cold, would thrust his hands i'th' fire To warm them. (I. i. 426-428) "Cold" and "warm" make a strong impression of "fire" on us. Those contrasted images are closely connected with Antonio's psychological situation. His common sense strives to hold his ambition, while his ambition will make the Duchess' love its "low footsteps." On the other hand Webster offers us pictures of contrasted characters; some of them are persons of "a most perverse and turbulent nature" and of hypocrisy and evil, and the others are those of loyalty and virtue. It is through this contrasted features that we can see absolute reality with fullness and depth. In the world of chaos, irony, skepticism, Macheavellism and other self-seeking thoughts spread and thrive. Reason, love and religious devotion are forgotten and buried under the only contrasted relations to those skeptical thoughts. Skepticism appears vehemently in Webster and it is because the world of contradictions and parallels will never have an absolute value. At the beginning of the play, the characters in the play act without self-awareness, but they come to know the contrasts between appearance and reality in the end. Most protagonists die on behalf of such awareness. Is such awareness of contrasts of incalculable value? Webster only brings out the question. | |||||||
| 資源タイプ（コンテンツの種類） | ||||||||
| ISSN | ||||||||
| 収録物識別子タイプ | ISSN | |||||||
| 収録物識別子 | 0583-0605 | |||||||
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| 収録物識別子タイプ | NCID | |||||||
| 収録物識別子 | AN00121159 | |||||||
| 出版タイプ | ||||||||
| 出版タイプ | VoR | |||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||
