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Stein seems to try to find out Faustian desires in all the heroes and Gretchen-like characters in all the heroines. His analysis wins success in the case of \"Ethan Brand,\" but in the case of the other four stories his experiments prove rough, not to say failures. Especially, Gretchen archetype can\u0027t be\" applicable to all the heroines, because sometimes they could not be virgins both in mind and body nor could be pure in hearts--sometimes the heroines neglected their Fausts or didn\u0027t even recognize their Fausts. My analysis should not be determined with his analysis, that is to say, though I pay my sincere regards to Stein\u0027s method, I do not think Faust and Gretchen archetypes are not always golden rules. So I direct my attention to the chronological transition of Love through these four stories. In \"Drowne\u0027s Wooden Image\" and \"The Artist of the Beautiful\", difference m social standing prevents their heroes\u0027 and heroines\u0027 from becoming man and wife. 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Hawthorne の短篇小説に於ける五人のFaust 群像
http://hdl.handle.net/10091/4266
http://hdl.handle.net/10091/4266e81190ae-e053-496d-86bd-dfad2c7ec457
名前 / ファイル | ライセンス | アクション |
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2010-02-12 | |||||
タイトル | ||||||
言語 | ja | |||||
タイトル | Hawthorne の短篇小説に於ける五人のFaust 群像 | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | 'Five Fausts' in Stein's Hawthone's Fausts Reconsidered from the Cynical Point of View | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源 | http://purl.org/coar/resource_type/c_6501 | |||||
タイプ | departmental bulletin paper | |||||
著者 |
鵜木, 奎治郎
× 鵜木, 奎治郎 |
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出版者 | ||||||
出版者 | 信州大学教養部 | |||||
引用 | ||||||
内容記述タイプ | Other | |||||
内容記述 | 信州大学教養部紀要. 第一部, 人文科学 8: 71-84(1974) | |||||
書誌情報 |
信州大学教養部紀要. 第一部, 人文科学 巻 8, p. 71-84, 発行日 1974-03-15 |
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抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | William Bysshe Stein deals 'Five Fausts' in his Hawthorne's Faust: namely, Drowne, Warland, Aylmer, Rappaccini and Ethan Brand. Stein seems to try to find out Faustian desires in all the heroes and Gretchen-like characters in all the heroines. His analysis wins success in the case of "Ethan Brand," but in the case of the other four stories his experiments prove rough, not to say failures. Especially, Gretchen archetype can't be" applicable to all the heroines, because sometimes they could not be virgins both in mind and body nor could be pure in hearts--sometimes the heroines neglected their Fausts or didn't even recognize their Fausts. My analysis should not be determined with his analysis, that is to say, though I pay my sincere regards to Stein's method, I do not think Faust and Gretchen archetypes are not always golden rules. So I direct my attention to the chronological transition of Love through these four stories. In "Drowne's Wooden Image" and "The Artist of the Beautiful", difference m social standing prevents their heroes' and heroines' from becoming man and wife. In "The Birthmark", the notion that a spouse should be a complete substance per se denies lovers' being a perfect pair in spite of their perfectionism. In "Rappaccini's Daughter", both the hero and the heroine eagerly seek his and her counterpart, not knowing their inevitable destiny. Every story reflects various aspects of love and the spirit of the age when any kind of love is prevalent. Thus Hawthorne asks us to solve every loveaffair without avoiding our responsibilities. This is a moral which is given to me by Stein's Faustian desire In analysing Hawthorne's five short stories with Faust and Gretchen archetypes. | |||||
資源タイプ(コンテンツの種類) | ||||||
内容記述タイプ | Other | |||||
内容記述 | Article | |||||
ISSN | ||||||
収録物識別子タイプ | ISSN | |||||
収録物識別子 | 0583-0605 | |||||
書誌レコードID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AN00121159 | |||||
出版タイプ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 |